Mezzo-soprano Mathilda Bryngelsson was born and raised in Gothenburg, Sweden. Growing up, she played the flute, but in her early 20s, she turned her efforts toward singing opera.
Mathilda received her bachelor’s degree in Opera Performance from the University College of Opera in Stockholm in 2019. The same year she debuted as Medoro in a new adaptation of Handel’s Orlando with Stockholm Royal Opera at Confidencen.
In 2026, Mathilda will be part of the Young Artist Programme at Garsington Opera Festival, where she will sing Annina (La Traviata) and cover Penelope (Il ritorno d’Ulisse). She will then return to Opera på Österbybruk to perform the role of Thurza in the Sweden premiere of Ethel Smyth’s The Wreckers. In the season of 26/27 Mathilda will be back at Malmö Opera, first as the 3rd Nymph (Rusalka), and then once again in the leading role of Thurza (The Wreckers).
Between 2020 and 2022, Mathilda was a young artist at the opera studio Malmö Opera Academy. During this time, she could be seen as La Suora Zelatrice (Suor Angelica) on Malmö Opera’s main stage, while also performing multiple roles in Malmö Opera’s Swedish tour productions Det går an and Det stora oväsendet. In December 2021 she also visited Kammeroper Schloss Rheinsberg to sing the role of Mutter (Hänsel und Gretel).
In the years after graduating, Mathilda debuted the roles of Dido (Dido & Aeneas) at Opera på Österbybruk, Una Converse (Suor Angelica) at Copenhagen Opera Festival, Fekluša (Káťa Kabanová) at Bergen National Opera and Clotilde in Opera på Skäret’s production of Norma. In 2025 Mathilda performed the role of Suzuki (Madama Butterfly) at Pfalztheater Kaiserslautern, returned to Malmö Opera in the role of Herodias’ Page (Salome), and did a short appearence as Annina (La Traviata) with Copenhagen Philharminic Orchestra during Copenhagen Opera Festival.
Apart from the operatic repertoire, Mathilda has an extensive experience as an oratorio soloist, having performed a majority of the standard repertoire, throughout the south of Sweden.
Mathilda has been the recipient of many notable scholarships and awards. A selection of these includes The Swedish Royal Academy of Music’s national scholarships on five occasions between 2019-2024, the first prize in the singing competition OVIS-Rösten 2021, the highly prestigious Giresta Scholarship from Anders Wall’s Foundation 2022, as well as the 3rd prize in the Willhelm Stenhammar International Singing Competition 2024.
La Traviata, Garsington Opera, 2026
The minor roles, above all Mathilda Bryngelsson as Violetta’s loving maidservant Annina, are sensitively drawn.
- The Telegraph
https://www.telegraph.co.uk/opera/what-to-see/la-traviata-garsington-review/
Smaller roles are unobtrusively well taken, among them Mathilda Bryngelsson’s supportive if uncomplaining Annina and Henry Waddington’s brooding yet compassionate Doctor.
- arcana.fm
https://arcana.fm/2026/06/07/garsington-la-traviata-2/
Alexandra [sic] Moon’s Flora was an exceptional characterisation, as was Mathilda Bryngelsson’s Annina.
- Music OMH
https://www.musicomh.com/classical/opera-reviews/la-traviata-review-garsington-opera-madison-leonard-oleksiy-palchykov
Notable supporting performances come from Mathilda Bryngelsson as Annina and Alexandria Moon as Flora.
- The Henley Standard
https://www.pressreader.com/uk/henley-standard-1/20260619/282183657754568?srsltid=AfmBOopmoPeBxAH-VSB6ZhLbwxJOlPPjTQoDSyiR8F6jJfNF3rhvf1gN
Dido & Aeneas, Opera på Österbybruk, 2023
Mathilda Bryngelsson in the title role has a gentle and warm voice.
- Tidskriften Opera
Hänsel und Gretel, Schloss Rheinsberg, 2021
Die Schwedin Mathilda Bryngelsson lässt als überforderte Mutter ihren Mezzosopran durchaus schon mal die Luft schneiden.
- Märkische Allgemeine
Jury motivation for 1st place in the singing competition OVIS-Rösten, 2021
Mathilda Bryngelsson is a beautifully sounding and expressive mezzo-soprano. The two different arias from Werther and Titus were performed with both excellent technique and an artistically convincing performance.
Concert in Giresta Kyrka, 2019
Mathilda Bryngelsson showed a full, well-modulated voice.
- Uppsala Nya Tidning
Orlando, Kungliga Operan, Confidencen, 2019
Mathilda Bryngelsson’s injured warrior Medoro, on the other hand, portrays the existential loneliness of the survivor.
- Expressen
Prince Igor, Russian Opera Workshop
For Thursday evening's show, […] the sensational Swedish mezzo discovery of the session, Mathilda Bryngelsson, whose voice reminds me of the young Kerstin Meyer, performs Konchakovna. Since Angela Mead’s Master Class, I've been having recurrent dreams about Mathilda channeling vocal intensity into Charlotte, Ratmir, Vanya, Lyubasha, Komponist, Orfeo...
- Lew's Opera Views and Experiences In Tempo
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