The Nose, Royal Opera Copenhagen

The Police Inspector with particularly violent tendencies was given strong exposure by Swedish Conny Thimander, a high, piercing tenor in the Russian tradition.
- Information

A Midsummer Night's Dream, Malmö Opera

The interplay is physical and well-oiled, thanks in part to Conny Thimander's rock-solid comic timing in the role of Francis Flute. His tenor sounds nicely focused.
- Tidskriften Opera

Conny Thimander's parody of Lucia di Lammermoor (...) would almost be worth a review of its´ own.
- DN

There are many talented singers here, but I would especially like to mention Conny Thimander in the drag role as Francis Flute.
- Sydsvenskan

Tosca, Malmö Opera

However none of them displays good acting, except for Conny Thimander as Spoletta. A dribbling and disturbing turncoat who does everything that Scarpia says. A great pleasure to see his acting despite, him being an uncanny slimeball. He is also equipped with a dramatic tenor voice that one can help noticing. It is not very often that you see opera singers who can act as good as this.
- Månssonkultur.se

Boris Godunov, Göteborgs Operan

And last but not least Conny Thimander shines in the two roles as Misail and The Holy Fool. Thimander´s scene with the children's choir, the shopping trolley and Tsar Boris is one of the best in the whole show. Great acting by the opera's Holy Fool, the only one who actually dares to tell Boris the truth...
- Göteborgsposten

Conny Thimander with his dramatic tenor voice delivers a memorable interpretation, in reminiscence of the famous Russian tenor Georgii Nelepp. Here the music of Mussorgsky pierces deeply into the soul.
- Borås tidning

Salome, Malmö Opera 

The singers in the larger roles also acquit themselves relatively well, beginning with Conny Thimander (Narraboth), whose tones are the only ones that shine with true tenor brilliance this evening.
- Opera Point

Don Giovanni, Confidencen

Conny Thimander took the evening’s prize for characterization with his Don Ottavio. His portrayal of Ottavio as an entirely ordinary and kind man, forced into a heroic role for which he was wholly unsuited—and therefore constantly tormented by an anxiety he desperately tried to conceal—was priceless throughout. Thimander also enriched the audience with meltingly beautiful singing, including sublime pianissimi in ‘Dalla sua pace.’
-  Epoch Times

Conny Thimander, with a voice as smooth as pannacotta.
- Aftonbladet 

Gegen die Wand, Deutsche Oper am Rhein

In the supporting roles, Conny Thimander is particularly striking as the provocatively dissolute Niko
- Rheinische Post

The Swedish tenor  Conny Thimander impresses with his finely crafted acting.
- Online Merker

Passions by J.S. Bach, Evangelist

Who impressed me the most was the tenor soloist and evangelist Conny Thimander … vocal and dynamic range paired with indisputable pitch control and expression was amazingly outstanding.
- UNT

Conny Thimander is evangelist-journalist with backslick, fiery and thrilling and good.
- DN

As the Evangelist, Thimander explored both the spatial and dramatic dimensions of the role of recitative narrator. He sang with his whole body, sending the words out so they resonated—at times softly and with great gravity, at others with powerful intensity.
-  Corren 

Conny Thimander is brilliant… He is completely in his character and pictures what he sings not just through the words but also through body and soul.
- Dalarnas Tidning

Oratorio Mors Saulis et Jonathae by Charpentier
Here, Conny Thimander in particular deserves mention. In the conjuration scene between Saul and Maga, the Witch of Endor, he conjured before the listener’s inner eye—with a snarling voice, incisive glissandi, darkly coloured vowels and hissing consonants—the image of a toothless crone with a black tomcat on her back.
- Schreibwolff-Magazine